The song as explained from lyricist’s perspective. This cinematic, acoustic rock style, romantic song deals with the concept of memories and nostalgia with well-crafted philosophical and romantic lyric. The song has the grandeur of Music composed by Akshay Vairagi and produced-arranged by Bhushan Chitnis especially acoustic rock style instruments with live guitar among other instruments. Siddharth Basrur even with his power singing style has done full justice to bring out the emotions exuding every word. The hook line captures the essence of our past memories that keep on revisiting us. It is sure to transport you to a spell of nostalgia with a feeling of smell of someone you deeply loved, profusely admired sometime in your life. 1. नींद में सताती हैं, कभी सुब्ह आ जाती हैं, ज़िंदा होने का एहसास दे जाती हैं यादें, nii.nd me.n sataatii hai.n, kabhii subh aa jaatii hai.n, zindaa hone kaa ehsaas de jaatii hai.n yaade.n, Sometimes we stumble up on our memories while asleep and sometimes in the morning. 2. मायूसी जब जब दिल में छा जाती है, शबनम सी तब पलकों से गिरती हैं यादें, मायूसी - hopelessness, despair शबनम – dew mayuusii jab jab dil me.n chhaa jaatii hai, shabnam sii tab palko.n se girtii hai.n yaade.n, When we are in despair and feeling low, that is the time memories trickle down our cheeks as dew-like tears. Here the metaphoric comparison of tears with dew is quite enjoyable and noteworthy. 3. अब तो दूर बहुत है, तेरा साया मुझसे, मगर, तेरे आस पास होने का शुब्हा सी हैं यादें, तन्हाई में कभी महफ़िल होती हैं यादें, कभी महफ़िल में तन्हा कर देती हैं यादें, शुब्हा – doubt, suspicion ab to duur bahut hai, teraa saayaa mujhse, magar, tere aas paas hone kaa shub.ha sii hai.n yaade.n, tanhaa.ii me.n kabhii mahfil hotii hai.n yaade.n, kabhii mahfil me.n tanhaa kar detii hai.n yaade.n, This hook’s first two lines states that his beloved is so far from him that even her shadow is not visible to him but his memories of her still makes him feel like she is somewhere near him. The next two lines of the hook are most important and are very beautifully crafted. It states, sometimes when we are lonely, memories make us feel accompanied like in a party, and, sometimes make us feel opposite of that, meaning, sometimes in a party, we start feeling lonely due to memories, of someone we miss in the party, seeping in our mind unwillingly. 4. टूटे सपनो के खंडरों में फिरती हैं यादें, अक्सर हमें बेवक़्त घेर लेती हैं यादें, TuuTe sapno ke khanDaro.n me.n phirtii hai.n yaade.n, aksar hame.n bewaqt gher letii hai.n yaade.n, These philosophically oriented lines capture the essential characteristic of memories that they keep revisiting us, especially in the space of our minds that are metaphorically like ruins of our broken unfulfilled dreams, and, that the memories usually have the habit of pestering us at the wrong time. 5. छोड़ कर चले गए लम्हे जो दामन मेरा, क्यूँ उन लम्हों से लिपटती रहती हैं यादें, नादाँ हैं जो सोचती हैं रखेगी समेटे वो, गुज़रे मौसमों को कहाँ ला पाती हैं यादें, chho.D kar chale ga.e lamhe jo daaman meraa, kyu.n un lamho.n se lipaTtii rahtii hai.n yaade.n, naadaa.n hai.n jo sochtii hai.n rakhegii sameTe vo, guzre mausamo.n ko kahaa.n laa paatii hai.n yaade.n, It talks about another philosophical aspect of our memories. We all know that we as humans and our memories have the habit of usually embracing, time and again, those good or bad bygone moments of our lives during a spell of nostalgia. The next two lines states in a metaphoric way that the memories are so naïve in thinking that this way they can cling on to those bygone moments by keeping them in its’ hem but it fails to understand that the moments, metaphorically those beautiful seasons now changed, that are gone can never be brought back because time travels only forward. The song slowly fades away with the repetition of the hook to capture the essence of memories again, leaving the listener deeply thinking about such fundamental truths about memories.
मायूसी - hopelessness, despairg
शबनम – dews
शुब्हा – doubt, suspicion
नादाँ – innocent, ignorant
समेटे - gathered or collected
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