The song as explained from lyricist’s perspective. Great melody by Ahsan Ahmed Khan and beautiful modern soundscape / music arrangement by Atul Raninga, who has done many remarkable mainstream cinemas, are major USPs of this stylish cinematic romantic song. Simple yet effective lyrics are sure to connect with today’s youth. Western voices enhance the beauty of this piece of art even further. The romantic, young and mellifluous voice of Jay Mohan is bound to pierce through the deepest emotions of the listeners’ heart. 1. ये लो फिर गया दिल वहाँ, लो क़दम चले तेरी ओर, पॉंव ये कहे में, ना दिल, तेरी यादों का ये है दौर, ye lo phir gayaa dil vahaa.n, lo qadam chale terii or, paa.nv ye kahe mai.n, naa dil, terii yaado.n kaa ye hai daur, कहे में – in control In the deafening silence of the absence of his loved one, the guy feels some intense emotions and vents out by addressing his beloved, just see how my heart is set to step towards you once again. I am so smitten, neither my legs nor my heart are anymore in my control, and they both have started leaning towards you once again because I am drifting again through recollections of our togetherness in this moment. 2. बेच कर क्यूँ सपना मेरा, ख़्वाब ये ले बाज़ार से, आँखें मेरी देखें तुझे, दिल में मेरे तू ही रहे, bech kar kyuu.n sapnaa meraa, KHvaab ye le baazaar se, aa.nkhe.n merii dekhe.n tujhe, dil me.n mere tuu hii rahe, In intense romanticism, the guy becomes a bit philosophical and wonders, why am I weaving such vivid dreams of love and the pleasure of her presence while dispensing with my own dream in life. This is beautifully worded, why am I selling my own dream to buy from the market, the commodity of the dream of hardly realisable love. My eyes are seeing you even if you are not there in front of me because you always stay within the bounds of my heart. 3. जो बिठा रखा है मैं ने, हाँ छुपा रखा है मैं ने, जो कहीं किसी कोने में दिल के या मेरी पलकों के, हाँ है चेहरे कितने यहाँ, हाँ मगर वो चेहरा कहाँ, jo biThaa rakhaa hai mai.n ne, haa.n chhupaa rakhaa hai mai.n ne, jo kahii.n kisii kone me.n dil ke yaa merii palko.n ke, haa.n hai chehre kitne yahaa.n, haa.n magar vo chehraa kahaa.n I have perched you, hid you, either in some corner of my heart or somewhere below my eyelids. When I see around me in this gathering of the world, I find so many beautiful faces around me but the most enticing face, that of her, my beloved, is still missing. The perfect condition of a person completely drowned in the intense emotions of love, yearning for togetherness of the beloved. 4. मेरी सुब्ह का तारा तू, रुत बहारों की भी है तू, तू नहीं तो पतझड़ लगे, ये जहाँ की हर वो फ़ज़ा, भेस में ख़ुशी के है ग़म, या है ग़म ये जावेदाँ से, merii sub.h kaa taaraa tuu, rut bahaaro.n kii bhii hai tuu, tuu nahii.n to patjha.D lage, ye jahaa.n kii har vo fazaa, bhes me.n KHushii ke hai Gam, yaa hai Gam ye jaavedaa.n se, पतझड़ – fall dry season फ़ज़ा – ambience भेस – disguise जावेदाँ – eternal, permanent He further hyperbolically expresses, you are my morning star and spring of my life, and without you, even the best ambience and the best of the seasons, feel like dry, withering, cruel fall season. The guy, in his deeply romantic state of mind, once again slips into a philosophical question, whether various sorrows of love and life always wear the disguise of happinesses to deceive us or those pains are the only things that are permanent throughout life. With this philosophical romanticism, the melody slowly drifts and fades away leaving itself hauntingly humming deep enough in the listeners’ soul.